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CULTURE AND IMPERIALISM

Said's latest book largely reiterates his familiar argument for cultural recognition of the "Other" (more cogently marshalled in his Orientalism, 1978), particularly the colonized "Other" that has been molded in popular perception by the crucial (to Said) element of Western imperialism. Perusing Verdi's Aida, Conrad's Heart of Darkness, Kipling's Kim, even Jane Austen's Mansfield Park, Said insists that the fact that one culture has dominated another is the subtext for any 19th-century exploration of the exotic—or even, in Austen's case, for "the ordination" of the colonizer's rights and local freedoms. Said, though a gifted professor, is a gluey stylist ("Moreover, the various struggles for dominance among states, nationalisms, ethnic groups, regions, and cultural entities have conducted and simplified a manipulation of opinion and discourse, a production and consumption of ideological media representations, a simplification and reduction of vast complexities into easy currency, the easier to deploy and exploit them in the interest of state politics")—and he is certainly subject to his own charges of simplification. Didn't colonized cultures have, in turn, their own colonies, imperialisms, dominations? Has there ever been a human society in which the "Other," the "impure," the "raw," the "strange" hasn't been used as a lever for advantage? Is culture, for that matter, supposed to be complex and fair—or is it, rather, self-essential and reflective? Said spends no time weighing these questions, which he sends out onto the field but never puts in play. It's following the sections of highly tenuous lit-crit here that Said's lack of focus and ill-thought-out positions become most apparent. Drifting screeds and apologies—against the Gulf War, for Oliver Stone's JFK and the equally astigmatic Salman Rushdie—plus ever more academic recommendations of scholarly books Said agrees with give his own a tiresome, soapboxy sensibility, undercutting its formality and most of its seriousness.

Pub Date: Feb. 28, 1993

ISBN: 0679750541

Page Count: 416

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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