A rousing trio of women anchors this potent tale about class and race.
In this contemporary urban novella, three Black women of varying skin tones struggle with violence and romantic dissatisfaction in Southern California.
Dorch’s brisk tale follows the lives of three women whose skin color and choices begin to subtly dictate their career and social life trajectories. Sonnie Black, a spirited Los Angeles child welfare social worker, is mentoring new employee Denice Gray on her human services cases. Both women have interactions with Tyrone Wilson, an arrogant, intimidating, and manipulating court reporter in the office who is “the color of blackberries.” Sonnie defiantly challenges Tyrone about his demeaning behavior and brings him to her church services. Despite Sonnie being unhappily single, she is hesitant to begin another relationship after a disastrous interlude with an English professor in her master’s degree program a few years prior. Done with Tyrone, Sonnie is immediately smitten with Denice’s brother, Howard, a local politician with a “massive blond afro, green eyes, and olive skin,” but she still has unresolved trust issues. When Tyrone violates Denice after a night out and then blackmails her, the story shifts into high gear. The melodrama with Tyrone could jeopardize Denice’s romantic future with a junior pastor. Meanwhile, Lisa Steel, one of Sonnie’s more challenging welfare cases, seems disinterested in getting a job because of her family ties to a dangerous Colombian drug dealer. These women bring Dorch’s narrative to vibrant life. They lean on their Christian belief systems for guidance, making the story particularly appealing to religious readers. From a racial perspective, the tale is primarily concerned with themes of “colorism,” which is considered a form of prejudice and discrimination occurring within and outside of an ethnic community. In the book’s preface, the author—an artist and psychologist—remarks that this can have drastic social implications and determine “who gets ahead, who gets convicted, and who gets elected,” and it “influences health, wealth, and opportunities for success.” Through her dynamic collection of characters, Dorch illustrates and illuminates this pernicious societal ill, and in a gratifying ending, her characters grow to realize their strengths and worthiness.
A rousing trio of women anchors this potent tale about class and race.Pub Date: June 28, 2022
ISBN: 978-1-66323-405-6
Page Count: 102
Publisher: iUniverse
Review Posted Online: Sept. 28, 2022
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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