Gossip and hubbub abound in this tame mystery.
Yale-bound student Jill Charron wakes up in a hospital bed to a nightmare. Her best friend, Simone McIvory, is dead. And Jill is accused of murder.
While the white teen recovers from massive head injuries, she discovers Simone was killed in a car crash while they were in Italy during an Adventures Abroad program, her dream trip. Everyone says Jill was the driver, but she can’t remember the accident or being in Italy at all, due to her retrograde amnesia and struggles with aphasia. While in rehab, Jill works on her memory with Dr. Weeks and meets roommate Anna Lopez, both of whom provide respite during the media firestorm. Rumors heat up implying that Jill and Simone fought over Nico, their Italian tour guide. The hoopla surrounding the accident is played well, reminiscent of the real-life Amanda Knox trial. Jill’s past-tense narration is complemented by Justice for Simone blog posts, police transcripts, text messages, email, Facebook comments, and Crime Watch episodes, through which details of their frenemy-ship and what might’ve happened emerge. It’s a virtual he said/she said at its loudest and, oftentimes, most cruel. What falls short are stereotypical depictions of characters, like Evan (pushy lawyer), Nico (Casanova), or Jill’s father (midlife abandoner). No one character really shines, not even Jill. What does provide interest is the slippery notion of truth versus memory versus perception.
Gossip and hubbub abound in this tame mystery. (Mystery. 14-18)Pub Date: June 7, 2016
ISBN: 978-0-544-80509-5
Page Count: 320
Publisher: HMH Books
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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