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WITH A VENGEANCE

Name: WITH A VENGEANCE
Author: Eileen Dreyer
ISBN: 0-312-26577-8

by Eileen Dreyer ‧ RELEASE DATE: March 17, 2003

Nonstop action and a tough babe with a heart. Top-drawer.

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Turbocharged thriller from the romantic-suspense author (a.k.a. Kathleen Korbel) of 1997’s Brain Dead (her hardcover debut).

Trauma nurse Maggie O’Brien joins the SWAT team as a medic the same summer that all hell breaks loose in St. Louis. Heat and a cicada infestation have brought every nutcase, wife beater, child abuser, and cop killer out of the woodwork. People are dying like flies. First case is a doozy: former FBI agent Montana Bob has gone crazy, beset by paranoid fantasies about angels of death in dark uniforms. He takes as hostage Maggie’s true love, Sean Delaney, a supertough and sexy cop who’s nonchalantly munching on a candy bar when he’s finally rescued. Later, Montana Bob dies in the ER for no apparent reason. Later still, an hours-long hostage stakeout turns violent when a drunk sets his four-year-old son on fire. Anyone would agree that Jimmy Krebs deserved to die instead of the boy, but his injuries weren’t fatal. Just why is it that he and some of Maggie’s other patients end up in the morgue within a few hours of entering the hospital? Did their names appear on The List, an informal record of perps, suspects, and repeat offenders that the cops and medical personnel scribble on a hospital wall? No use asking Maggie’s dad, a cop with a hair-trigger temper who left the force under mysterious circumstances. Maggie has no reason to trust him: her mother committed suicide, and father Tommy (“The Terminator”) O’Brien has gone through six more wives since. He’s a staunch believer in toeing the thin blue line, and he’s not talking. Maggie’s colleagues—including the flamboyantly gay Dr. Allen Fitzmaurice and fellow trauma nurse Jeannie—don’t seem to know a thing. But the press is on to the story. Can the city’s first female SWAT medic actually be a cold-blooded murderer? Only Maggie can find the real killer as things lead to a shattering, unpredictable climax

Nonstop action and a tough babe with a heart. Top-drawer.

Pub Date: March 17, 2003

ISBN: 0-312-26577-8

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

Categories:

LITERARY FICTION

- BOOK REVIEW
HEAD GAMES
by Eileen Dreyer

- BOOK REVIEW
BRAIN DEAD
by Eileen Dreyer

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CONCLAVE

by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

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Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Categories:

GENERAL THRILLER & SUSPENSE | LITERARY FICTION | RELIGIOUS FICTION | SUSPENSE | SUSPENSE

- BOOK REVIEW
PRECIPICE
by Robert Harris

- BOOK REVIEW
ACT OF OBLIVION
by Robert Harris

- BOOK REVIEW
V2
by Robert Harris

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.