by Eileen Pollack ‧ RELEASE DATE: May 5, 2016
Pollack expertly and sensitively focuses on the nuances of ambivalence and on the human dilemma of what to do in the complex...
Jane Weiss, a research scientist at MIT, investigates the genetic makeup of a neurodegenerative disease, a quest made more urgent because her mother died of the disease and Jane herself has a 50 percent chance of having it.
Both Jane and her sister, Laurel, have developed strategies to deal with the possibility that Valentine disease (in many ways similar to Huntington’s) might be in their future. Laurel lives for the moment—she is completely uninterested in making plans, and she lives life on the edge, taking risks and spending profligately. Jane, by contrast, lives the life of a dedicated, even obsessed, scientist, bent on discovering the genetic mystery of the disease that killed her mother. Jane’s father, Herb, is president of the Institute for Valentine’s Research, a philanthropy he founded as his wife was dying, and he’s getting ready to marry Honey Land, chairwoman of the Valentine’s Disease Society, whose husband also died of the disease…and here the medical issues thicken, for when Jane meets Willie, Honey’s son, they begin to fall in love, a potential disaster from a genetics point of view, for any children they have would have a 75 percent chance of carrying the Valentine’s gene. Jane eventually and dramatically finds a marker on the gene for Valentine’s, giving rise to personal and ethical dilemmas—should she take the blood test she developed to see if she will get the disease? Should Willie? Should Laurel? What knowledge should we have, what knowledge do we really want, and how should that knowledge shape the choices we make in our lives?
Pollack expertly and sensitively focuses on the nuances of ambivalence and on the human dilemma of what to do in the complex ethical situations that arise from genetic research.Pub Date: May 5, 2016
ISBN: 978-0-06-241917-0
Page Count: 384
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 17, 2016
Kirkus Reviews Issue: March 1, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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