Delicate but dazzling.
Incisive, beautifully crafted stories about family relationships, focused especially on the dynamic between fathers and daughters.
Pollack (Paradise, New York, 1998, etc.) looks lovingly and longingly at the way families work, particularly when death is impending. It’s hard to choose favorites here, for all are worthy. “The Bris” examines the life of James Sloan, who has been living a lie, and now, on the point of death, charges his son Marcus with the task of finding a mohel who will perform a bris so he can be buried next to his wife in an Orthodox cemetery. As James’s health declines, Marcus’s anxiety and desperation increase, for the rabbi refuses to countenance the bris for both religious and personal reasons. (A competitive player, the rabbi won’t even consider the request until Marcus wins at least two games in a set of tennis.) Marcus is finally led to take matters into his own hands, as it were. “Uno” introduces us to Heloise and Mitch, who on holiday at the Sunshine Lodge (where the food is so pure “you needed a spiritual license to be allowed to eat”) meet a family that includes Sarah and Meribeth, Siamese twins who help call into question Heloise’s tidy world. The longest piece is “Beached in Boca,” a nuanced story that weaves together three narrative lines with great delicacy. Wendy has come to visit her father in Boca Raton only to find out that he has AIDS. Dealing with the jolt of this revelation, she examines her own sexual history and her inability to commit to her current lover, a 60-year-old professor from Montana. At her father’s condominium complex she meets (and is strongly attracted to) Adam Haber, whose father recently committed suicide because the body of a former lover was found in a barrel in the basement of his house.
Delicate but dazzling.Pub Date: April 1, 2008
ISBN: 978-1-884800-82-5
Page Count: 258
Publisher: Four Way
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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