The creators of When Mama Comes Home Tonight (1998) weave another affecting tale, in which a gentle, eight-legged artist spends her last strength on a gift to a newborn baby. Though Sophie’s ingeniously patterned webs are the delight of her Mama and playmates, when she moves into a drab boarding house, its residents react to her presence with fear and disgust. Most of its residents, that is—weary and aging, Sophie finds a home and quiet welcome at last when she crawls into an expectant young mother’s yarn basket. Sophie’s webs, all finer than the finest lace, ripple with stars, flowers, and geometric patterns in Dyer’s delicately detailed watercolors. She herself cuts a stylish bohemian figure, with long, slender legs in multicolored stockings radiating from a black body topped by a flaxen-haired human head. Learning that the young woman is too poor to knit or buy a blanket, Sophie gathers strands of moonlight, wisps of night and pine, old lullabies, snowflakes, and, last of all, her own heart to create a gift that the new mother receives with “love and wonderment.” Sophie may physically resemble the proud, angry protagonist of Kate Hovey’s Arachne Speaks (2000), but her generosity of spirit gives her a very different character. (Picture book. 7-9)
Pub Date: May 1, 2001
ISBN: 0-689-80112-2
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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