The creators of When Mama Comes Home Tonight (1998) weave another affecting tale, in which a gentle, eight-legged artist spends her last strength on a gift to a newborn baby. Though Sophie’s ingeniously patterned webs are the delight of her Mama and playmates, when she moves into a drab boarding house, its residents react to her presence with fear and disgust. Most of its residents, that is—weary and aging, Sophie finds a home and quiet welcome at last when she crawls into an expectant young mother’s yarn basket. Sophie’s webs, all finer than the finest lace, ripple with stars, flowers, and geometric patterns in Dyer’s delicately detailed watercolors. She herself cuts a stylish bohemian figure, with long, slender legs in multicolored stockings radiating from a black body topped by a flaxen-haired human head. Learning that the young woman is too poor to knit or buy a blanket, Sophie gathers strands of moonlight, wisps of night and pine, old lullabies, snowflakes, and, last of all, her own heart to create a gift that the new mother receives with “love and wonderment.” Sophie may physically resemble the proud, angry protagonist of Kate Hovey’s Arachne Speaks (2000), but her generosity of spirit gives her a very different character. (Picture book. 7-9)
Pub Date: May 1, 2001
ISBN: 0-689-80112-2
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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