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WANDA’S MONSTER

A wonderfully insouciant approach to taking care of those pesky critters that lurk in closets. When Wanda cowers in fear of the monster she’s sure inhabits her closet, her family tries the traditional methods of allaying her fears. Yet Dad shines a light inside, Mom does a thorough cleaning, and her older brother scoffs at her concerns, to no avail. It’s Granny who helps Wanda see things in a different light. Granny believes there just might be a monster hiding inside Wanda’s closet and she cautions her to feel sympathy instead of fear for the poor little guy; after all, she reveals, monsters are notoriously shy. Granny’s unique perspective enables Wanda to overcome her worries. Soon she’s tossing toys, pillows, and other creature comforts into the closet for her resident monster. When it’s time for the monster to move on—Granny advises they only stay for 17 days—Wanda is ready, too. Spinelli (Here Comes the Year, p. 265, etc.) addresses a common childhood dilemma with panache and wit. Fearful closet-phobes will soon be longing for a monster of their own to pamper. Hayashi’s (What Did You Do Today, p. 486, etc.) watercolor-and-pencil illustrations strike just the right balance between pragmatism and whimsy. Vibrantly colored vignettes depicting familiar domestic scenes are juxtaposed with delightfully quirky depictions of a purple, horned, long-nosed, and rather pitiful-looking monster sequestered in the closet. A must for chasing away those nighttime jitters with a hearty dose of giggles. (Picture book. 5-8)

Pub Date: Sept. 1, 2002

ISBN: 0-8075-8656-0

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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