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THE PLUTONIUM FILES

Name: THE PLUTONIUM FILES
Author: Eileen Welsome
ISBN: 0-385-31402-7

AMERICA'S SECRET MEDICAL EXPERIMENTS IN THE COLD WAR

by Eileen Welsome ‧ RELEASE DATE: Sept. 7, 1999

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A fierce exposÇ of governmental duplicity and dangerous science. A decade ago Welsome, a reporter for the Albuquerque Tribune, happened upon a reference in an air force report to a nuclear waste pile that contained the carcasses of several animals that had been used in testing the effects of radiation. The report hinted that animals were not the only subjects. Intrigued, Welsome began to sift through a mountain of official documents, discovering that, from 1945 to 1947, 18 unsuspecting civilians——men, women, and even children scattered in quiet hospital wards across the country——had been injected with plutonium to test the effects of radioactive materials on the human body. Such testing formed part of a federal program that employed, in the words of a government film narrator, “every angle and every gadget we can to find out what really happens when an atomic bomb kicks out fiercely at the world around it.” In a tour de force of investigative reporting, Welsome tracked down some of these subjects; and she weaves their stories into a larger narrative, one that tells the story of US government Cold War medical experimentation as a whole. Much of this testing, it appears, was unnecessary—after all, the government had thousands of preexisting subjects, the Japanese victims of Hiroshima and Nagasaki. Some of it, Welsome suggests, was done at the behest of US atomic scientists at Los Alamos, N.M., who were worried about their own health. Those physicists, as scientist Arthur Compton wrote, “knew what had happened to the early experimenters with radioactive materials. Not many of them had lived very long.” Neither did many of those 18 victims, and neither did thousands of soldiers and civilians exposed to atomic-bomb blasts in the deserts of the Southwest, all in the name of delivering the world from Communism. The literature on the official crimes of the Cold War era is large and growing. Welsome’s stunning book adds much to that literature, and it makes for sobering reading.

Pub Date: Sept. 7, 1999

ISBN: 0-385-31402-7

Page Count: 576

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.