Gripping, beautifully descriptive, and likely to stay with you.
A young girl documents her escape from a flooded and now uninhabitable New York City.
After the progressive decline of the World As It Was—“Storms always came. They took things”—13-year-old Nonie is adjusting to life in what remains of New York, most of the city and its people now gone. Nonie is part of a group of survivors living in a community called Amen in the remnants of the American Museum of Natural History; she handles the routine and confines of life in The World As It Is better than most, as she remembers little of the world’s past freedoms and safety. She also feels a deep connection with the water, so much so that she can sense incoming storms—all except one, the hypercane, a storm that “moved faster than thought and faster than sense.” This finally forces the group to abandon the relative safety of Amen and the purpose they’ve found in documenting the artifacts of the museum as “a duty to the future.” The narrative keeps pace with the sense of urgency created by the hypercane, and Caffall brings the terrifying realities of this near-future to vivid life through expert use of sensory language: “We moved blind and clattering through dark halls, along the balcony of African animals, past the elephants. Only the tip of a single trunk visible above the flood. The stairs were wet…rain pouring in to meet the sea, the slippery marble hard to manage, the sound of breaking glass.” Nonie’s unique account of the survivors’ journey north along the Hudson River—she has both a scientific mind and a sense of wonder—is a celebration of human perseverance at the hands of nature’s awe-inspiring power.
Gripping, beautifully descriptive, and likely to stay with you.Pub Date: Jan. 7, 2025
ISBN: 9781250353528
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
Captivating, frightening, and a singular achievement.
As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.
For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).
Captivating, frightening, and a singular achievement.Pub Date: Dec. 5, 2023
ISBN: 9780802163011
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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