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ONE NATION AFTER TRUMP

A GUIDE FOR THE PERPLEXED, THE DISILLUSIONED, THE DESPERATE, AND THE NOT-YET DEPORTED

A breath of hope but also a serious call to action: everyone needs to take part.

A trio of acclaimed political scholars and journalists do their best to encourage those bemoaning the path of America’s government.

Dionne (Why the Right Went Wrong, 2016, etc.), Ornstein, and Mann (co-authors: It's Even Worse than It Looks: How the American Constitutional System Collided with the New Politics of Extremism, 2012, etc.) offer a unified voice of sanity in a world gone mad, and their arguments are well-supported by citations of other political writers. On the question of whether Trumpism is a new phenomenon, they point out that the radicalization of the Republican Party has been underway for nearly three decades, and the hatred of the liberal media began with Nixon and Agnew. Now, conservatives have delegitimized the traditional media and empowered the worst and most reckless journalists on the right. To call the writers at Breitbart et al. opinion journalists is wrong; it isn’t journalism if it’s not based on facts. Much of our current situation can be traced to Newt Gingrich’s pernicious influence and the polarization he introduced and proliferated. Centralizing power in the Speaker of the House’s office and the drive for a majority sent a message that ideological commitments would always outweigh evidence. Trumpism is best understood as a protest movement reacting to the long-term changes in our social, economic, religious, and political lives. The authors also note a difference between nationalism, always a power situation, and Trump’s populism, more a style than a philosophical orientation. They trace the various elements of his rise, but there is no single reason why Trump is president. Ultimately, the authors seek to develop a new concept of patriotism, a new sense of civic-mindedness, a new civil society, and a new democracy. Of course, this is all exceedingly difficult in the current climate, but the authors are seasoned guides and provide good jumping-off points for moving beyond the noxious atmosphere of Trumpism.

A breath of hope but also a serious call to action: everyone needs to take part.

Pub Date: Sept. 19, 2017

ISBN: 978-1-250-16405-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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