Reliable sci-fi entertainment that breaks little new ground.
Robinson’s debut novel reimagines Defoe’s classic story, with plucky teenage Robinson Crusoe in a dystopian future 200 years from now.
Sometime in the near future, humanity nearly destroys itself, leaving a ruined world. Hundreds of years later, civilization is rebuilt as an oppressive society of haves and have-nots, where a new group of wealthy and powerful families—called Tiers—have arisen. Into this dog-eat-dog, class-based culture is born young Robinson Crusoe, whose father is Tier of Transportation. His lifelong wish for adventure is answered when political conflict between Tiers wipes out his family and he’s forced to flee for his life. His midnight journey takes an even more frightening turn when he’s shipwrecked on the forbidden shores of America, a vast, terrifying wasteland. Though at first it seems he cannot possibly survive, Robinson employs ingenuity and a considerable amount of luck to keep alive in the ruins of what was once Washington, D.C., now haunted by cannibals, savages and deadly mutations called Renders. As he struggles to live from day to day, he’s joined in his efforts by his own “Girl Friday” —in this case, a young girl. Risky romance, constant danger and a great degree of personal growth are central to the narrative, as Robinson finds he must uncover a great secret from the past that could spell salvation or final destruction to the world. He must choose whether or not he wishes to rise beyond mere survival to become a true hero. The characters are entertaining but lightweight, and their dialogue is serviceable: “I don’t hate you, boy,” a man tells Robinson. “Only what you’re destined to become.” The plot is understandably derivative, combining Defoe’s original with the general template of dystopian YA sci-fi in the 21st century. Nevertheless, the text is breezy and engaging, and the pace and color make the familiarity forgivable. Typographical errors are somewhat frequent, but the tale, first in a planned series, is comfortably, competently told.
Reliable sci-fi entertainment that breaks little new ground.Pub Date: July 31, 2014
ISBN: N/A
Page Count: 266
Publisher: Amazon Digital Services
Review Posted Online: Jan. 21, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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