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YOUTHJUICE

A stomach-turning work of corporate horror with a sharp focus on satirizing the beauty industry and its influencers.

A young woman’s career in the beauty industry takes a gruesome turn when the luxury brand she works for develops a product—with questionable ingredients—that can miraculously preserve youth.

It’s clear from the very first pages that there’s something wrong with HEBE, the SoHo-based skincare company where Sophia Bannion works. Sophia herself isn’t particularly concerned with HEBE’s cultlike following, her boss’ obsession with eternal youth, or the fact that the company’s interns keep going missing. Haunted by some shocking events in her youth and suffering from a violent nail-biting habit—“I’ve stripped a hangnail from thumb to wrist. Crimson beads collect in the divot of shiny, wormy skin”—Sophia cares more about fitting in with her beautiful co-workers than anything else and is willing to turn a blind eye to the strange goings-on. When her boss, Tree Whitestone, asks her to try a new product called youthjuice, Sophia jumps at the opportunity. The result is nothing short of miraculous as, virtually overnight, the cream erases the scars from her nail-biting. Soon, what began as just a job for Sophia becomes a full-blown obsession. There’s nothing particularly subtle here: From the name of the company where Sophia works (a reference to the Greek goddess of youth), to her detached, Patrick-Bateman-meets-Amy-Dunne It-girl voice, to the intense images of body horror that combine the beautiful and the grotesque, Sathue’s story is bold and brash and can be extremely uncomfortable to read. Although she overuses similes, it’s a fault that can be overlooked when the plot is as audacious and thrilling as this one. With an ending that will no doubt divide its readers, this novel is perfect for fans of Mona Awad and Emily Danforth.

A stomach-turning work of corporate horror with a sharp focus on satirizing the beauty industry and its influencers.

Pub Date: June 4, 2024

ISBN: 9781641295925

Page Count: 288

Publisher: Hell's Hundred

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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