A warm-up volume for the “collected stories” that will eventually, inevitably follow.
An eclectic selection of shorter fiction from a veteran author more renowned for his novels.
Following what was widely considered one of his better recent novels (Homer & Langley, 2009), the New York writer best known for his interweave of fact and fiction in Ragtime (1975) does the authorial equivalent of a closet cleaning with a dozen stories that find him adopting a variety of narrative voices and perspectives. Seven of the stories originally appeared in the New Yorker, and one of those (“Heist”) was later incorporated into the novel City of God (2000). Another, “Liner Notes: The Songs of Billy Bathgate,” reads like an addendum to Billy Bathgate (1989), like the notes to a collection of songs by the protagonist, each a paragraph long (though one paragraph extends over five pages), likely inscrutable to those unfamiliar with the novel. Yet there is plenty of first-rate work here to please Doctorow fans and others who appreciate a well-told story. Many of them have a spiritual dimension, and the most provocative of these is “Walter John Harmon,” the testament of a lawyer involved with a religious cult and his growing suspicions that the unlikely prophet has designs on the narrator’s wife. The shortest story, “Willi,” ranks with the most powerful, as an older man recalls a boyhood experience in which a Whitmanesque rapture over the joys of being alive in nature proceeded to a discovery of his mother’s affair, and the uneasy mixture of betrayal and desire his mother’s sexuality elicited. “Jolene: A Life” strays far from Doctorow’s usual territory, in its narrative of a poor Southern girl whose attractiveness toward the wrong kind of men proves a curse. And while the concluding title story would seem to place the fiction in more familiar terrain, its Manhattan metaphysics are more reminiscent of Paul Auster’s New York than Doctorow’s.
A warm-up volume for the “collected stories” that will eventually, inevitably follow.Pub Date: March 22, 2011
ISBN: 978-1-4000-6963-7
Page Count: 272
Publisher: Random House
Review Posted Online: March 2, 2011
Kirkus Reviews Issue: March 1, 2011
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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