by E.L. Doctorow ‧ RELEASE DATE: July 14, 1975
Ragtime is a great billiard game of events, ideas and personages at the turn of the century, where the real protagonist is America herself captured in the last gasps of complacency and social Darwinism—waging territorial wars abroad for God, Country and Mammon, breaking strikes and throwing charity balls at home while WW I hovers in the wings. After this, the national identity will never be the same. Doctorow's The Book of Daniel (1971) mythified the Rosenbergs and their children, but Ragtime galvanizes the headlines and heroes of an entire formative era in a political work of even greater magnitude. At the heart of the story is the stultifyingly Victorian model family of a respectable manufacturer of flags, fireworks and patriotic odds and ends whose somewhat Moses-like recovery of an abandoned illegitimate black infant leads to an exemplary tale of racism, insurrection and injustice in America. This is fleshed out by a succession of wildly imaginative run-ins with (or among) Sigmund Freud, Emma Goldman, Houdini, Henry Ford, J. P. Morgan, Booker Washington, Zapata and of course—the Archduke Franz Ferdinand. At that time "There were no Negroes...There were no immigrants" and that's the bluntly hammered-out theme that pulls it all together: the vulgarity of the wealthy and their oppression of the lower classes. Rest assured, nevertheless, that this is a very funny novel—a high achievement in irony that hinges on distancing and if not history's revenge (the last laugh belongs to a deranged parasitic scion...), then the revenge of art. For this is a beautifully realized complex of social epiphanies, all watched over by the spirit of Scott Joplin, and as a midsummer selection of the Book-of-the-Month Club, bound to make an impact.
Pub Date: July 14, 1975
ISBN: 0679602976
Page Count: 336
Publisher: Random House
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: July 1, 1975
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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