Next book

IF THESE STONES COULD TALK

AFRICAN AMERICAN PRESENCE IN THE HOPEWELL VALLEY, SOURLAND MOUNTAIN, AND SURROUNDING REGIONS OF NEW JERSEY.

A stunningly thorough and poignant study of African-Americans.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A debut history book focuses on a New Jersey cemetery while exploring the whole spectrum of the black experience in the region. 

Buck and Mills both have deep familial ties to the Stoutsburg Cemetery near Hopewell, New Jersey. They have jointly served as trustees of the cemetery’s association for more than 30 years. In 2006, someone distraught over the possibility that a nearby but unofficial burial ground would soon be bulldozed contacted Buck. The authors immersed themselves in research in order to find documentary evidence of the land’s hallowed purpose, a task that begat this extended “detective-labor-of-love.” The result is a panoramic history of the African-American experience in New Jersey and the region, concentrating on the Stoutsburg Cemetery, a powerful reminder of the segregation that persisted long after the demise of slavery. In fact, a state law made it criminal to bury blacks and whites on the same grounds; it was finally overturned in 1884. The historical landscape traversed is expansive. The authors discuss the centrality of the church for African-Americans in the area, the history of the black population’s military service, and the nature of black landownership, which provided “real power and sovereignty” for otherwise disenfranchised citizens. They also dispel the myth that slavery in the North was more humanely practiced than in the South. New Jersey was in fact a brutal participant in and advocate of slave ownership. At the heart of this moving chronicle is the authors’ impassioned desire to “break the cycle of America’s historical omissions” regarding its black citizens, whose significant contributions have often been consigned to oblivion. “The challenges that African Americans face in proving their family history is a direct result of the lack of primary documentation—records of accomplishments or achievements in their lives,” the authors assert. The study is meticulously documented and written in prose that is always lucid and often stirring. The authors tend to confront readers with mountains of detail—family genealogies and even recipes are provided—but given the mission to disinter a buried history, it’s hard to quibble with their zeal. 

A stunningly thorough and poignant study of African-Americans.  

Pub Date: Nov. 7, 2018

ISBN: 978-1-941948-08-8

Page Count: 374

Publisher: Wild River Consulting and Publishing

Review Posted Online: Oct. 22, 2018

Kirkus Reviews Issue: Dec. 15, 2018

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview