In a kind of Talented Mr. Ripley with a brutal back-story and a more moral protagonist, Alphin (Toasters, 1998, etc.) mines the provocative field of identity, memory, and lies. Fourteen-year-old Cameron Miller had been the virtual slave of Pop, an evil man who got his jollies by torturing and killing young boys. Cameron, who is more intact, psychologically, than seems possible for a victim of such severe, long-term abuse, survived by being totally obedient. During his long hours of imprisonment in the basement, Cameron read and reread all of Pop’s files, which detailed the lives and families of the various boys Pop murdered. A wealthy family of hobbyist sailors captured Cameron’s imagination—“at first because of the sailboats” and “in the end, because of their money”—and after Pop is killed by the police, Cameron claims to be their missing son, Neil Lacey. The police are skeptical, but the senior Laceys are overjoyed and immediately accept him as theirs. Alphin convincingly delineates the ambivalence felt by Neil’s siblings, and her portrayal of how Neil’s disappearance and reappearance all but destroyed the family dynamic is first-rate. The novel bumps up the suspense a notch when one of Pop’s criminal cronies shows up and threatens not only Cameron’s newfound security but the safety of the other Lacey children as well. The resolution tries to have it both ways and the ending is more than a little improbable. Still, an engrossing, suspenseful novel that is sure to keep the reader glued to the page. (Fiction. YA)
Pub Date: Sept. 1, 2000
ISBN: 0-15-202645-2
Page Count: 192
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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