This overly long novel explores large issues about Art and Truth, but fails to create compelling characters or plot that will keep readers engaged. While Alphin’s highly readable Counterfeit Son (2000) crackled with suspense, this one sets the reader up for disappointment from the beginning. The first page describes the grave of a dead student, visited by his murderer. But there is no murder, only a suicide for which one character feels guilty. Telling rather than showing, narrator Charles explains why he transferred to an arts school as a junior. He presents himself in long, repetitive monologues as an arrogant, anguished painter, unappreciated by his parents and boorish teachers, ostracized by jealous classmates since preschool. His bleakly truthful paintings, executed without training, make everyone so uncomfortable that they reject him. Now he won’t let anyone see his paintings for fear of further rejection, conveniently overlooking the fact that he won a scholarship based on his art. At the boarding school, he forms a tentative friendship, heightened by sexual tension, with Graeme, a senior famous for having a novel published as a sophomore. Charles hopes Graeme can tell him how to survive without conforming to others’ expectations, but Graeme’s occasional journal entries reveal how few answers he has. While Charles’s self-righteous, self-absorbed character is plausible, his voice quickly becomes tedious. Some teenage artists may see themselves here, but most readers will tire of Charles long before his final epiphany about life and art. (Fiction. YA)
Pub Date: May 1, 2001
ISBN: 0-15-216355-7
Page Count: 272
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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