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MONTANA IN A MINOR

Well-written and engaging YA.

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In this excellent YA novel, Russell’s (Across the Mekong River, 2012) teenage cellist heroine, Emily Lopez, uses music as her framework for dealing with the world.

Smarting from a recent breakup, Emily is excited to spend the summer after her junior year touring Europe with her orchestra-conductor father, who’s promised to help her learn Saint-Saen’s Cello Concerto No. 1 in preparation for her August audition for Juilliard’s pre-college program. It’s actually a re-audition, since her first tryout was “only marginally less disastrous than the sinking of the Titanic.” Emily has trouble with anxiety and OCD; her habits include tapping her music stand three times with her bow before she plays. She’s devastated when her father calls off the trip, citing a busy schedule—a recurring theme since her parents’ divorce. Instead, Emily is forced to spend her summer in Montana at a ranch owned by her stepfather Marty’s dad. But once she gets there—and meets a dreamy half-Crow ranch hand named Breck—she starts to realize that she can build a life around music without letting it take over. Russell does a fantastic job creating Emily’s world, and the young girl’s voice is charming and plausible right from the start, when she rattles off her to-do list: “4. Learn Saint-Saens concerto pronto. 5. Forget Jordon exists. Correction—forget ALL boys exist. 6. Buy DVD—Yoga for Stress Reduction.” The characters who surround her are fleshed out as well, all with their own problems and strengths: Her stepgrandfather, Jake, who hides his fears about getting older under a cantankerous facade, is a particular delight. The chapter titles are musical terms—subito forzando, capriccioso, dolce—that serve as descriptions of events and subtle ways to underscore Emily’s worldview, steeped in music. The ending comes too soon, though, and readers will wish they had more time to enjoy the characters.

Well-written and engaging YA.

Pub Date: April 27, 2014

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: May 7, 2014

Kirkus Reviews Issue: July 1, 2014

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE STARS WE STEAL

A thrilling romance that could use more even pacing.

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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