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WHAT RILEY WORE

Riley’s courageous vulnerability is refreshing, fun, and worthy of celebration.

Is Riley a girl or a boy? Riley decides to answer an entirely different question through the creative self-expression of their clothing.

Each day of the week, Riley invents a new outfit to wear to school, around the house, and to the park. The tan-skinned, dark-haired protagonist has clothing for every mood and occasion: a bunny suit for first-day-of-school shyness, “a superhero cape to the dentist’s because teeth cleaning is scary,” and a tutu, perfectly mismatched with a dinosaur hat, for the weekend. Instead of making Riley a target of bullies, the gender-fluid ensembles draw their classmates in. Heartwarmingly, Arnold and Davick depict the spectacularly nongendered protagonist in positive connection with the people around them. Children are at the center of this colorful story: Adults, when they appear, mostly line the periphery of Davick’s double-page–spread illustrations while classmates of various skin tones are featured in cheerful detail. In the growing landscape of children’s books that explore gender, this offering beautifully normalizes the multifaceted gender expressions people can have, demonstrates the support adults can provide to nonbinary children, and models how easily young ones can relate to one another without having to choose between two gender options. Though Riley’s gender identity is never explicitly stated in the narrative, Arnold and Davick’s entertaining tale speaks volumes about the creativity of nonbinary kids.

Riley’s courageous vulnerability is refreshing, fun, and worthy of celebration. (Picture book. 3-9)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-7260-9

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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