A surprisingly complex and realistic love story delicately narrated by an endearing protagonist.
A debut novel follows a girl’s crush as it evolves into a lifelong tale of obsession and passion.
Judith first met Elliot as a fifth grader who had recently moved to Chicago’s North Side in the mid-1950s. Then, he was just a little boy with torn trousers, but over the course of the next 60 years, Elliot would become Judith’s lover, friend, and permanent addiction. “Our relationship was a cocktail mix of rivalry and loyalty—shaken with a strong dose of passion and resentment,” Judith writes of their time as academically competitive sixth graders, which would set the tone for the decades to come. Following the suicide of Elliot’s mother, Judith consoles him while being overjoyed at their relationship’s shift into teenage romance, but college abruptly ends her dreams of a happily-ever-after. Instead, they pursue different paths, with Elliot transforming into a high-powered New York attorney and Judith becoming a divorced social worker in California. Through letters and cross-country trips, they remain in each other’s lives. But Judith always follows their unsaid agreement that she not talk about her love for him. Throughout children, divorces, and even deaths, Klasson brings the two characters together again and again with the same devastating result for Judith, who never gives up on the “man by which I had measured all other loves.” Written in the first person and addressed directly to Elliot, the novel’s prose is strikingly elegant and intimate. What could easily slide into a melodramatic tale of long-lost love turns into a realistic and psychological study of one woman’s deepest thoughts. The author also cleverly develops supporting characters through Judith’s eyes. (Judith’s eventual friendship with Elliot’s second wife and her reactions to Seth, her philandering first husband, are easily some of the narrative’s most memorable and captivating moments.) While the pace of the book’s second half slows down considerably as the two lovers move into old age and toward the bittersweet conclusion of their long journey, Klasson fills every scene she can with thought-provoking reflections on the nature of love, family, and romance.
A surprisingly complex and realistic love story delicately narrated by an endearing protagonist.Pub Date: Nov. 12, 2019
ISBN: 978-1-63152-604-6
Page Count: 336
Publisher: She Writes Press
Review Posted Online: Sept. 6, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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