A bittersweet drama that delicately captures the moods of the human spirit.
Two friends attempt to fulfill a request from beyond the grave in this novel.
Months have passed since 62-year-old Paul Marden was released from the hospital after an unidentifiable infection nearly took his life. Now, living on disability payments and his pension in a neighborhood battered by Hurricane Sandy, he grapples every day with the constant pain that pervades his body. Struggling to walk home one evening, he takes a ride from a familiar-seeming stranger: Lelee Connors, a transgender woman who was once his childhood neighbor. As the two develop a friendship, Lelee reveals that she has the extraordinary ability to communicate with the dead. Despite her peaceful lifestyle, her reputation and well-being are being threatened by a man named Michael Odenkirk, the host of a television show that focuses on defaming psychically gifted individuals. When Lelee channels the spirit of a 1960s radio host known as Happy Howie, he explains that his own career was destroyed by Odenkirk, who publicized his identity as a gay man and falsely suggested that he was a child molester. Howie implores Paul and Lelee to help him clear his name and enact justice. Meanwhile, Paul is occupied with his elderly father, who has dementia. Although their relationship was precarious in his youth, Paul desperately wants him to have a good quality of life. Unfortunately, Paul has strong doubts about the level of care his father is receiving in his nursing home. The expressive quality of Lerman’s (The Stargazer’s Embassy, 2017, etc.) writing reflects her prodigious experience as a poet. The narrative touches on a number of complex topics, including the relationship between transgender individuals and the rest of the LGBTQ community, the state of care for those in assisted living facilities, and the impact of the media, in a way that feels organic and true to life. Lelee’s characterization is especially intricate: She proves to be poised, intelligent, and kind but intensely frustrated and quickly angered by insensitivity. As the characters move through their daily routines, there remains an evocative awareness of their mortality.
A bittersweet drama that delicately captures the moods of the human spirit.Pub Date: Sept. 30, 2019
ISBN: 978-1-57962-575-7
Page Count: 217
Publisher: Permanent Press
Review Posted Online: Dec. 31, 2019
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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