Change is hard, but for those learning to be patient, Albert is a good guide.
The latest in the Mouse Math series both gets readers ready for the routines of school and hammers home the days of the week.
Albert is extremely excited about his first day of school. He is especially looking forward to paw painting, playing the piano, and feeding the class pet, all of which he’s heard about from his older sister, Wanda. So getting used to a fixed routine, when special activities take place on different days, is rather tough for him; Tuesday is art day, not Monday, and though he enjoys seeing a story told with puppets at library time, he still wants to paint. He gets to paint on Tuesday, but he can’t feed the fish whenever he wants—he has to wait for his turn, which is on Wednesday. And so it goes through the week, Albert always wishing he could do things whenever he wants to, as at home, but learning that school is different. But by Friday, Albert is showing a new student the ropes. Melmon’s bright, cheery cartoons are a nice introduction to the sights and activities of school, and almost every spread includes some visual display of the days of the week. Two pages of “Fun Activities” in the backmatter give adults ideas on how to extend the learning.
Change is hard, but for those learning to be patient, Albert is a good guide. (Picture book. 3-6)Pub Date: April 1, 2015
ISBN: 978-157565-741-7
Page Count: 32
Publisher: Kane Press
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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