Does little to illuminate a familiar conflict.
In this latest from the pseudonymous Italian Ferrante (Troubling Love, 2006, etc.), a middle-aged woman spends her summer vacation meditating about motherhood.
Leda was born and raised in Naples, but she didn’t feel happy until she escaped at 18 to study in Florence. For her, Florence is a symbol of culture and refinement, while Naples is loud and crude. Now 47, Leda is a university teacher in Florence, long separated from her husband Gianni, another academic, who emigrated to Toronto; her grown daughters, Bianca and Marta, recently joined him, but they stay in close phone contact with their mother. Leda’s summer rental is near the sea in an unspecified town. On the beach she observes an attractive threesome: A young mother (Nina), her small daughter (Elena) and the girl’s doll, with which the pair play. They are part of a larger group of Neapolitans who are sprawled out on the beach. When Elena disappears, Leda finds her and returns her to her grateful mother, but then steals her doll. What’s the reason for this “opaque action”? Does she want to forge a connection to the family, or tap into her own childhood memories? It’s a puzzle; not an interesting one, but there it sits, an indigestible lump. Far more interesting is Leda’s confession, to these total strangers, that she once abandoned her daughters for three years, leaving them with her overworked husband. What triggered her departure was a London academic conference where she was lionized by a professor, who would become her lover, and felt an intoxicating sense of self. Eventually she realized being a mother was her most significant fulfillment. Freedom versus responsibility: This tension underlies Leda’s behavior and ambivalence toward her daughters, which continues to the present. The young mother Nina is Leda’s sounding-board, but Ferrante fails to integrate Leda’s soul-searching with the problems of the fractious Neapolitan family on the beach.
Does little to illuminate a familiar conflict.Pub Date: April 1, 2008
ISBN: 978-1-933372-42-6
Page Count: 160
Publisher: Europa Editions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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