A royal tale enlivened by imaginative drama but burdened with excessive religiosity.
A historical novel based on the life and marriage of an uncrowned queen of England, Scotland, and Ireland during the 17th century.
Henriette-Marie, the youngest child of King Henri IV of France and his queen, Marie de Médicis, is just 15 when she marries King Charles I of England in 1625—just a month after he assumes the English throne following the death of King James. It’s taken a year of political negotiations with various royals and the Vatican to get a papal dispensation for a union between the Catholic princess and the Anglican king; however, as a Catholic, she’ll never have a coronation. Still, Henriette-Marie, who’s also known as “Henrietta Maria,” declares her advantages with considerable merriment: “I had many offers for my hand, since my dowry was generous. Moreover, I was comely, as princesses go, and it was known that I had a straight back, all my teeth, clear skin and was a nimble dancer.” With naïve romantic idealism and a conviction that she’ll eventually convert her husband and offer protection to persecuted Catholics, she sets sail for her new home across the English Channel. Vidal’s expansive tale—the first installment of a projected three-volume series devoted to the life of Henriette-Marie—offers palace intrigue, international conflict, and personal turmoil. But at its heart, it’s a poignant and often charming love story. The author’s extensive research has resulted in pages that brim with vivid descriptions of all things royal, including wardrobe minutiae, architecture, interior palace décor, and an abundance of servants—some who are devoutly loyal, others decidedly less so. The warmongering Duke of Buckingham, an influential favorite of the king, serves ably as the novel’s villain, as he poses threats to the kingdom as a whole and to the royal marriage in particular. However, the narrative pace slows considerably each time Vidal dwells on the young queen’s repetitious religious devotionals, complete with liturgical passages. It’s also quite challenging to keep track of the names, nicknames, and changing titles of the numerous secondary characters. Nonetheless, a final surprise should leave many readers smiling.
A royal tale enlivened by imaginative drama but burdened with excessive religiosity.Pub Date: Nov. 25, 2021
ISBN: 979-8756784169
Page Count: 287
Publisher: Mayapple Books
Review Posted Online: Jan. 4, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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