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YOU ANIMAL MACHINE (THE GOLDEN GREEK)

This is writing and reading as adventure, where every page can bring a different sort of revelation.

A wonderfully strange and inventive book by a professor and poet who combines various forms into an unclassifiable whole.

Sikelianos (Creative Writing/Univ. of Denver; Body Clock, 2008, etc.) and the publisher classify this work as “an essay,” but it often reads like poetry, memoir, graphic narrative and pastiche, mixing typography (even handwriting) and visuals with various literary approaches. Its subject and focus is the author’s late grandmother Melena, who danced burlesque as the “Leopard Girl,” married five times and at least once attempted to provide instruction to her young granddaughter: “My grandmother teaching me to dance around a coffee table. You move your hips to the drums, she is telling me, your feet to the rest. She’s drunk. We’re having fun in that way you do with someone who might punch you in the teeth at any moment. Like standing at the edge of a dark cliff, below you, the nighttime waters aglow with dense possibility.” The writing pulsates with such life force, reckless and a little giddy, as the author surveys her family’s female history, the immigration of Greeks to America (and the diners they opened) and the translation of lust into money (“Who said hoochie-coochie means a drunk women’s genitals? It means a single mother’s rent.”) It’s a quest book of sorts, a pilgrimage into the desert where the author sought her grandmother more than 25 years after the latter’s death. “Thus begins the tale before human time but in human terms, and stretches far beyond us into a future we cannot imagine, except, perhaps, that it will contain us as walking libraries,” writes the author. “It matters that there are holes in a family history that can never be filled, that there are secrets and mysteries, migrations and invasions and murky bloodlines. In this way we speak of human history.”

This is writing and reading as adventure, where every page can bring a different sort of revelation.

Pub Date: June 3, 2014

ISBN: 978-1-56689-360-2

Page Count: 126

Publisher: Coffee House

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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