Gottlieb merits praise for both the endearing eloquence of Todd’s voice and a deeply sympathetic parable that speaks to a...
After more than 40 years in an institution, an autistic man acts on his yearning to see his childhood home in this eloquent, sensitive rendering of a marginalized life.
Gottlieb (The Face Thief, 2012, etc.) returns in his fourth novel to the territory of his award-winning first, The Boy Who Went Away (1997), which also concerned a family of four and focused in part on a mother’s efforts to avoid sending her autistic son away. This novel has a very similar family but with the two brothers grown, the parents dead, and the world viewed through the exiled sibling’s eyes. The first-person narrator is autistic Todd Aaron, who sees life as immediate phenomena in a way that produces fresh, even poetic images—like “typewriters that are filled with millipede arms”—though occasionally they feel forced. Todd’s voice also is informed by his reading of the Encyclopedia Britannica and his access to a computer. Mr. B and Mr. C, as they are known, supply a plausible boost in knowledge and some humor to the observations of what is already a high-functioning mind. At the Payton LivingCenter, Todd has his brother’s phone calls and infrequent visits, a kindly staff aide, an obnoxious roommate, a pleasurable interest in a recent female arrival, and an instant fear of a new orderly who reminds him of his abusive father. That fear impels Todd to make escape plans. The novel is so economical with its action—such “homes” rely after all on routine and mood-flattening meds—that revealing the essential few adventures would be spoiling a great deal. Gottlieb wisely doesn’t resolve everything, but he packs years into a tightly composed climactic scene. Less satisfying is the somewhat demonized brother, a bully in his youth, a cheat in maturity, and barely trying, maybe only from guilt, not to bail on his sibling altogether.
Gottlieb merits praise for both the endearing eloquence of Todd’s voice and a deeply sympathetic parable that speaks to a time when rising autism rates and long-lived elders force many to weigh tough options.Pub Date: Aug. 24, 2015
ISBN: 978-1-63149-047-7
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 15, 2015
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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