Next book

THE COLLECTOR OF LEFTOVER SOULS

FIELD NOTES ON BRAZIL'S EVERYDAY INSURRECTIONS

Ordinary lives rendered extraordinary by a master journalist who captures all their perplexity and quiet rebellion.

A selection of journalistic pieces from 1999 to 2007 by an accomplished Brazilian journalist, novelist, and documentary filmmaker spotlights “a country that exists only in the plural…the Brazils.”

A rigorous investigative journalist who attempts to inhabit the lives of her subjects while suppressing her own “biases, judgments, [and] worldviews,” El País columnist Brum (One Two, 2014, etc.) adheres to a method of listening carefully and letting her subjects unravel the story themselves. In the first piece, “Forest of Midwives,” the author chronicles the vivid tale of midwives in the riverlands of far northern Brazil, whose ancient skills at “baby-catching” are passed from generation to generation. Although the women don’t get paid or have a lot to eat, children are their riches: “Out here in these backwaters of death,” says one elder midwife, “either we fill the world with children or we vanish.” Brum writes eloquently of people mired in the doomed cycle of poverty, most of whom can’t get a leg up because there is no support. In “Burial of the Poor,” the author writes about Antonio, “feller of trees,” who walked to the hospital to retrieve his stillborn baby, just one of the numberless poor who “begin to be buried in life.” In the most heart-wrenching longer piece, “The Noise,” Brum tells the story of T., a longtime worker in an asbestos plant in São Paulo who was dying of mesothelioma (the “noise” was the hideous sound of his gasping for breath). Poisoned by the plant owners who knew the health danger and tried to get him to sign away indemnity (he refused), he told Blum, “I am made of asbestos.” Among many other poignant stories, the author describes the teeming underbelly of the favelas in Brasilândia, the desperately poor gold prospectors in Eldorado do Juma, a defiant elderly community in Rio de Janeiro, and a threatened clan of Indigenous people deep in the heart of the Amazon.

Ordinary lives rendered extraordinary by a master journalist who captures all their perplexity and quiet rebellion.

Pub Date: Oct. 15, 2019

ISBN: 978-1-64445-005-5

Page Count: 232

Publisher: Graywolf

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview