A modest but affecting work with timeless relevance.
A narrative poem explores a ghastly dilemma faced by Jewish ghetto dwellers during World War II.
Written in the late 1970s and included in a long-out-of-print collection of Holocaust survivor and Nobel laureate Wiesel's essays, the poem is set on the eve of the Jewish holiday of Purim. That's when the "enemy" (the word "Nazi" is never used) announces they will massacre everyone in the ghetto unless 10 Jews are turned over for hanging—this to avenge the killing of the 10 sons of Haman, the anti-Semitic scourge of the Purim story. Overwhelmed by this unthinkable dilemma, the ghetto rabbi feels "his knees weakening, the blood rushing to his face." Searching for answers, he consults the great religious thinkers through their writings. Maimonides, the Rambam, states that a community should perish before handing over one of its members to the enemy, but pressed by the rabbi, his talking spirit concedes that he can't be of help because he never could have foreseen such a predicament. The Baal Shem Tov, or Besht, the founder of Hasidism, teaches the rabbi a special niggun, or song, that confers hidden powers "to break the chains of evil and malediction." But the Besht is so overcome by sadness that he can't infuse the song with the joy it needs. Ultimately, when the niggun is sung by the ghetto community, it conjures a miraculous coming together of Jews—not only from all over Europe, but also from the pages of the Talmud. Accompanied by Podwal's quietly haunting full-page illustrations, Wiesel's spare language cuts to the heart of human loss while the rhythms of the poetry capture the sad, endless march of inhumanity through history. At the same time, this poem sings out the power of belief and community and love.
A modest but affecting work with timeless relevance.Pub Date: Nov. 17, 2020
ISBN: 978-0-805-24363-5
Page Count: 64
Publisher: Schocken
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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