Like your third serving of a delicious meal—still very good, but not much excitement left.
The Steele family’s three-volume St. John adventure comes to a poignant end.
As the author warns in the foreword, if you haven’t read the first two books of this trilogy (Winter in Paradise, 2018; What Happens in Paradise, 2019), don’t start here. If you have, read this one slowly, because at the end we'll be saying goodbye to the series' endearing cast of transplanted Midwesterners, their new friends in the U.S. Virgin Islands, and the many wonderful bars, restaurants, estates, bungalows, beaches, and seafaring vessels they frequent. In truth, you may find a leisurely pace easier to maintain than usual. The confounding mysteries and shocking reversals that drove the first two installments are wrapped up here, but the answers are pretty much as expected, and no new excitement is introduced. Threads that could have added a plot boost—a high-powered New York lawyer hired to deal with the devastation Irene Steele suffers as a result of her dead husband’s criminal activity, the FBI investigation into same, an old diary, an unplanned pregnancy—play out gently, or are dropped, instead of picking up the momentum. Hilderbrand’s choice to tell us in the introductory note about her fictionalization of Hurricane Irma takes away any element of surprise that might have had, and she doesn’t use the disaster for much in the way of plot, anyway. Oh, well. There are still plenty of lemongrass sugar cookies and a gorgonzola Caesar with pork belly and wood-grilled sirloin, served with an expensive bottle of cabernet pulled from the cellar of some annoying rich people, reviving the old joke about wine descriptions one last time: “Notes of fire coral, DEET and the Tide Pod challenge.” Just like everything else in 2020, this is not quite what you had hoped for, but, on the other hand, the comfort of a Hilderbrand novel is never something to sneer at.
Like your third serving of a delicious meal—still very good, but not much excitement left.Pub Date: Oct. 6, 2020
ISBN: 978-0-31643-558-1
Page Count: 352
Publisher: Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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