by Eliot Schrefer ‧ RELEASE DATE: Sept. 1, 2007
Grim.
The life of a 16-year-old boy goes from bad to worse when he leaves his financially strapped parents to become part of a wealthy family’s psychodrama.
Humphrey is, once again, the new kid at school. After years of his parents’ failing at jobs and moving from state to state to start anew, he’s used to it. This time around, it’s a Florida high school where he is wearing the wrong clothes and sitting next to the wrong kid on the bus and going “home” to a motel because his folks can’t afford the security deposit on an apartment. Eventually, Humphrey targets Wade—older, buff, at ease in his own skin—as the cool kid to give him entrée to the cafeteria society. Soon they are lifting weights together and hanging out with Wade’s slutty-but-nice mom, Brandy, and Wade’s hottie girlfriend Chantal. But then a party at Brandy’s gets out of control, and Humphrey winds up badly beaten. Enter Gretchen, Humphrey’s older half-sister, whom their mom resents because she had wanted to be an actress but quit when she became pregnant with Gretchen. Gretchen wants to help Humphrey, but she has a few problems of her own. Her character on a popular TV series has just been killed off, and her boyfriend of four years, Rajan Lansing, has just given her the boot. His mega-wealthy parents have always treated her like a daughter, so she doesn’t tell them about the break-up (Rajan is in L.A. looking for acting roles). Instead, she talks the Lansings into flying Humphrey to Europe to join them on their yacht for a summer-long Mediterranean cruise. The Lansings have a bad marriage, and the addition of Humphrey stirs up a storm. An all-hands-on-deck climax brings this implausible story to its inevitable, melodramatic conclusion. Schrefer (Glamorous Disasters, 2006) reaches for the psychological precision of Patricia Highsmith, but with cartoon characters and a preposterous plot, this reads more like a perverted Richie Rich.
Grim.Pub Date: Sept. 1, 2007
ISBN: 978-0-7432-9909-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
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BOOK REVIEW
by Eliot Schrefer ; illustrated by Jules Zuckerberg
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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