Stein’s affectionate memoir mixes traditions, rituals, and good food, adding up to a thoroughly enjoyable read.
The eccentric, the cryptic, and the heartwarming find a place in this collection of cultural marvels.
In a world that at times seems to be plummeting into the future without much thought, it can be enlightening to take the occasional glance backward. This is the premise of Stein’s book, in which the BBC journalist embarks on a globetrotting journey to find cultural traditions both obscure and wonderful. In the mountains of Sardinia, he samples su filindeu, also known as “the threads of God,” a type of pasta so rare and delicate that only three women in the world know how to make it. In Peru, he meets the last man capable of weaving the grass bridges that tied together the Incan empire. In a corner of Wales, he speaks to a beekeeper who maintains the custom of “telling the bees” the news of the day, which stretches from major events to local gossip. The bees seem to appreciate it. Just as touching is his visit to a tree, deep in a German forest, that has its own mailing address: necessary, as generations of people have written to it in an attempt to find love and happiness. Perhaps his strangest encounter is with a family in India that, for centuries, has been making mirrors from a secret metal alloy. The mirrors are reputed to reveal the true persona of anyone brave enough to look into one. These are remarkable narratives, and Stein explores them with due respect. “They remind us that culture is born slowly through a million tiny, personal moments,” he writes. “When one seemingly insignificant wonder fades, an irretrievable part of our humanity vanishes with it.”
Stein’s affectionate memoir mixes traditions, rituals, and good food, adding up to a thoroughly enjoyable read.Pub Date: Dec. 10, 2024
ISBN: 9781250281098
Page Count: 336
Publisher: St. Martin's
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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