At a time when streetlamps are lit by hand, Peppe lives in New York's Little Italy. With Mamma dead, Papa ill, and seven sisters at home, times are hard; the tradespeople Peppe asks for work all turn him down. So when the lamplighter asks the boy to take his place while he goes back to Italy, Peppe is overjoyed; at first, each lamp he lights is a wish for his family—that Assunta ``learns good English in school,'' that Giulia marries well, that Nicolina finds work. But Papa is bitterly disappointed—``Did I come to America for my son to light the streetlamps?'' Discouraged, Peppe leaves the lamps dark one night, only to learn that little Assunta has depended on the light to come home. Thus Peppe regains his self-respect—and Papa's approval. The economically told narrative gracefully incorporates many details of the setting, which is also splendidly realized in Lewin's luminous paintings. Peppe's lamps shine bravely in a tenement world where both night and interiors are dark, while clothing and street scenes are also somber. Lewin's characterizations are subtle and telling; in his splendid compositions, the dramatic interplay of light and dark intensify the story's message of hope. A beautiful, moving book. (Picture book. 5-10)
Pub Date: April 26, 1993
ISBN: 0-688-10268-9
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A strong second outing for Dillard and J.D.
Breakout kid barber J.D. embraces a summer of opportunity.
Readers met J.D. Jones just as he took his hometown of Meridian, Mississippi, by storm, winning himself community acclaim and a chair at the revered Hart and Sons barbershop in series opener J.D. and the Great Barber Battle(2021). What’s next for the haircut prodigy? School’s just getting out, and there’s so much life happening outside—if only one can escape home learning with the grandparents. J.D.’s sister, Vanessa, brings along multitalented mutual friend Jessyka to share an ambitious challenge: “Let’s start a YouTube channel!” Can they get millions of views and wow the whole world? They are already amazing at haircuts and hairstyles—all they need is to learn how to make a great YouTube video. The story models strategies for scripting short videos reflecting the templates of viral YouTube hair tutorials, inviting readers to not only see the journey of the characters, but maybe also practice these skills at home. This book is bound to educate all about some of the most storied and cherished traditions within the Black community. Bringing in Vanessa is a great touch to extend the series across gender, and hopefully she’ll get a chance to lead her own adventures. This book blends skill-building, entrepreneurship, and strong family values to give young Black children visions of what’s possible when they follow their passions and embrace their community.
A strong second outing for Dillard and J.D. (Fiction. 6-9)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-11155-0
Page Count: 128
Publisher: Kokila
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
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