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A SEAT AT THE TABLE

THE NANCY PELOSI STORY

Pays due homage to its subject.

Nancy Pelosi has broken through ceiling after ceiling to ensure everyone has a seat at the table.

Born Nancy D’Alesandro, Nancy Pelosi grew up watching her father, the first Italian American mayor of Baltimore, host constituents at their home to hear their stories and let them voice their concerns. While he was working, Nancy’s mother gave them her ear, fed them, and helped as she could. Nancy also watched her mother work, unpaid, to help Nancy’s father get reelected; Nancy always knew the hard work that goes into being a public servant, and that it involves the entire family. After moving to San Francisco and years of organizing and doing community work herself, Nancy was asked to run in a special election to fill her ailing friend Rep. Sala Burton’s seat. Boxer writes how Nancy jumped wholeheartedly into her campaign, and in 1987, she was elected to Congress. It’s a frankly admiring account, highlighting Speaker Pelosi’s many achievements and how she travels the country helping to inspire women to run for government office. The book is current enough to record how, in early 2020, rioters mobbed the U.S. Capitol and stormed Pelosi’s office, stealing many items, before it closes on an inspirational note. Freeman creates images that bear an uncanny resemblance to her subjects, filling some backgrounds with images of multiracial groups of constituents and supporters to remind readers that no work is done alone. (This book was reviewed digitally.)

Pays due homage to its subject. (author's note, interview, bibliography) (Picture book/biography. 7-12)

Pub Date: Sept. 7, 2021

ISBN: 978-0-593-37251-7

Page Count: 40

Publisher: Crown

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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