An inspiring though incomplete look at a critical historical moment.
Sometimes the decision of an individual can make all the difference.
Febb Burns knew what she wanted, and what she wanted was the right to vote. A college-educated white woman, she yearned to do what her white male neighbors in East Tennessee did every election day. But while she did not have that right, her son, Harry, did—not just as a citizen, but as a member of the Tennessee House of Representatives. The last to vote on ratification of the 19th Amendment, the body was closely divided between “yea” and “nay.” Even though Harry wore a red rose signifying opposition, he also carried with him a letter from his mother urging him to support the amendment. Listening to his mother and his conscience, vote “yea” he did, knowingly risking his seat. Boxer tells the story succinctly, clearly drawing the political lines so that young readers will understand the dynamics. Mildenberger’s inclusion of a few black women among those demonstrating for the vote reflects the historical reality that black women were part of the suffrage movement, but it also implies greater equality than truly existed, compounding Boxer’s elision of the fact that Jim Crow laws denied African Americans, both male and female, the vote. Irritatingly, though an illustration includes part of what is presumably Febb’s letter, that those were her words is never confirmed.
An inspiring though incomplete look at a critical historical moment. (author’s note, timeline) (Informational picture book. 5-8)Pub Date: March 15, 2020
ISBN: 978-1-53411-049-6
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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