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LAST DANCE ON HOLLADAY STREET

Spurred by the deaths of her foster parents, a 13-year-old finds the mother who gave her away—and why—in this tale from the Old West. A double shock awaits Eva at the Denver address she’s been given: Not only is her mother Sadie white, she’s a prostitute—a profession which Carbone clearly defines while deftly skipping the actual details. With nowhere else to go, Eva reluctantly takes up residence at the “sporting house,” becoming a private dancer to earn her keep under the tutelage of Pearl, her hostile, newly met half-sister, and discovering the horrifying web of debt and prejudice under which everyone in the house is trapped. The author skips what goes on behind that house’s closed doors, but she recreates both the town in 1878, and its male-dominated society, with vivid realism. Though Eva conveniently finds kind-hearted adults stepping in at need to rescue her from both human and animal predators, in the end she does figure out a cleverly credible way to make an honest living for her, Sadie and Pearl. (author’s note) (Fiction. 11-13)

Pub Date: March 8, 2005

ISBN: 0-375-82896-6

Page Count: 208

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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PRIVATE PEACEFUL

From England’s Children’s Laureate, a searing WWI-era tale of a close extended family repeatedly struck by adversity and injustice. On vigil in the trenches, 17-year-old Thomas Peaceful looks back at a childhood marked by guilt over his father’s death, anger at the shabby treatment his strong-minded mother receives from the local squire and others—and deep devotion to her, to his brain-damaged brother Big Joe, and especially to his other older brother Charlie, whom he has followed into the army by lying about his age. Weaving telling incidents together, Morpurgo surrounds the Peacefuls with mean-spirited people at home, and devastating wartime experiences on the front, ultimately setting readers up for a final travesty following Charlie’s refusal of an order to abandon his badly wounded brother. Themes and small-town class issues here may find some resonance on this side of the pond, but the particular cultural and historical context will distance the story from American readers—particularly as the pace is deliberate, and the author’s hints about where it’s all heading are too rare and subtle to create much suspense. (Fiction. 11-13, adult)

Pub Date: Oct. 1, 2004

ISBN: 0-439-63648-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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FABLEHAVEN

Witty repartee between the central characters, as well as the occasional well-done set piece, isn’t enough to hold this hefty debut together. Teenagers Seth and Kendra are dropped off by traveling parents at their grandfather’s isolated Connecticut estate, and soon discover why he’s so reluctant to have them—the place is a secret haven for magical creatures, both benign and decidedly otherwise. Those others are held in check by a complicated, unwritten and conveniently malleable Compact that is broken on Midsummer Eve, leaving everyone except Kendra captive in a hidden underground chamber with a newly released demon. Mull’s repeated use of the same device to prod the plot along comes off as more labored than comic: Over and over an adult issues a stern but vague warning; Seth ignores it; does some mischief and is sorry afterward. Sometimes Kendra joins in trying to head off her uncommonly dense brother. She comes into her own at the rousing climax, but that takes a long time to arrive; stick with Michael Buckley’s “Sisters Grimm” tales, which carry a similar premise in more amazing and amusing directions. (Fantasy. 11-13)

Pub Date: Aug. 1, 2006

ISBN: 1-59038-581-0

Page Count: 368

Publisher: Shadow Mountain

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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