by Elisa Downing ; illustrated by Isadora Machado ‧ RELEASE DATE: Oct. 6, 2020
An inventive interpretation of a familiar predicament faced by kids.
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A child encounters monsters in this picture book.
Josie is afraid of the monsters she sees in the dark. Her dad gives her a “Scary Snapper” (a flashlight) and tells her when she shines it on the creatures, they “will turn into something not scary.” One night, Josie nervously walks to the kitchen for water. She is relieved when the “monsters” she sees are in reality everyday items when she uses the Snapper. For example, a “monster with a funny shaped head” is just clothing on hooks. In the kitchen, she points the Snapper at a big monster. But it doesn’t turn out to be a familiar item. The illustration depicts a fuzzy purple creature cowering in fear. When he turns on his flashlight, aims it at Josie, and says, “It’s a…MONSTER!” she is shocked. The book concludes: “Josie was no longer afraid…with the Scary Snapper…she was the scariest thing in her house.” The concept of spooky shapes actually being ordinary objects is relatable. Although Downing’s twist ending may not assuage frightened readers, it deftly illuminates the notion that fear and intimidation are universal feelings experienced by even those figures readers are afraid of. Machado’s illustrations are artistic and nicely done. Josie has brown skin and pink hair. Key words are often emphasized typographically, some spanning entire pages. The images include up-close portrayals, like a glowing flashlight. The monsters are shown as both Josie’s imagined versions and their real forms.
An inventive interpretation of a familiar predicament faced by kids.Pub Date: Oct. 6, 2020
ISBN: N/A
Page Count: 35
Publisher: Dark Window Books
Review Posted Online: Oct. 2, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
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by Sara Levine ; illustrated by Marta Álvarez Miguéns ‧ RELEASE DATE: Oct. 13, 2020
Nothing riveting but serviceable enough.
Children are introduced to the concepts of sorting and classifying in this bedtime story.
It is getting close to bedtime, and Marco’s mother asks him to put his toys away. Marco—who thinks of himself as a scientist—corrects her: “You mean time to sort the animals.” And that’s what he proceeds to do. Marco sorts his animals into three baskets labeled “Flying Animals,” “Swimming Animals,” and “Animals That Move on Land,” but the animals will not sleep. So he sorts them by color: “Mostly Brown,” “Black and White,” and “Colors of the Rainbow,” but Zebra is upset to be separated from Giraffe. Next, Marco sorts his animals by size: “Small,” “Medium,” and “Large,” but the big animals are cramped and the small ones feel cold. Finally, Marco ranges them around his bed from biggest to smallest, thus providing them with space to move and helping them to feel safe. Everyone satisfied, they all go to sleep. While the plot is flimsy, the general idea that organizing and classifying can be accomplished in many different ways is clear. Young children are also presented with the concept that different classifications can lead to different results. The illustrations, while static, keep the focus clearly on the sorting taking place. Marco and his mother have brown skin. The backmatter includes an explanation of sorting in science and ideas for further activities.
Nothing riveting but serviceable enough. (Math picture book. 3-5)Pub Date: Oct. 13, 2020
ISBN: 978-1-62354-128-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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