While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more...
You can lead a bulldozer to bed, but you can’t make him sleep.
Seemingly acquiescent, Little Bulldozer is ready to be put down for the night by his human mom and dad. But even after a bath and tooth-brushing, sleep eludes him. In a series of actions that will be familiar to caregivers everywhere, Little Bulldozer thumps around his room, reads a book (The Little Engine that Could) too loudly to himself, and even attempts a failed stealth mission down the stairs to see what his parents are up to. Only when he slips into his older sisters’ room (a steamroller and excavator, respectively) does sleep finally overtake the restless little machine. With its tiny human parents/enormous inhuman children dynamic, the book owes more than a passing nod to Jane Yolen and Mark Teague’s How Do Dinosaurs series. But if Broach’s tale is by no means original it nevertheless remains soothing in its familiarity. Done in pencil and Adobe Photoshop art, the accompanying illustrations are sweetly humorous. They even contain the occasional oddball detail, such as background family portraits showing ancestors with old-timey car heads. Jackson’s art also plays up the inherent ridiculous logistics of an inside bulldozer’s life, such as how he would act on a spring mattress or how caterpillar treads might tiptoe. Little Bulldozer’s parents have brown skin and black hair.
While construction-equipment bedtime books have become a genre in and of themselves, there’s still room for one more good-hearted tale of antsy, agitated equipment. (Picture book. 3-6)Pub Date: March 5, 2019
ISBN: 978-1-250-10928-6
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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