Hu’s study of Korea’s beauty cult is fascinating and disturbing, woven with threads of dark humor and personal experience.
The host of “TED Talks Daily” and host at large for NPR shines a bright light into the shadowy world of manufactured beauty and endless “self-improvement.”
There is a Korean phrase, bbali bbali, which means fast, fast. Hu, a winner of the Edward R. Murrow Award, among others, believes it sums up South Korea’s rush into hypermodernity. When she arrived in Seoul in 2015 to establish a bureau for NPR, she was stunned by the cult of beauty that grips Korean women. The aim of Western cosmetics is often to accentuate natural features, but in South Korea, the goal is skin that seems so perfect it needs nothing else. The beauty industry in Korea relies on intensive research and marketing by the skin care firms, which provide a continuing procession of products. The author also looks at the massive business of cosmetic surgery, which can amend any part of the body. This is less about self-expression and more about an aspiration toward perfection: blemish-free skin, long, shining hair, a narrow nose, anime-size eyes, a delicate jawline, and legs shaped to meet a mathematical formula. It ultimately leads to a sameness of look, but Korean women see it as a necessary investment for social success, and the few who buck the trend face ostracism. Looking at this endless commodification of the female body, Hu asks: “Where do we draw the line on appearance work when the work gets less and less invasive and previously impossible changes become possible?” She also notes that some women, accustomed to the filtered images on Snapchat and Instagram, want to be “improved” to look like their digital images. These trends, exacerbated by social media and Korea’s export marketing machine, are having a global impact, including in the U.S. Hu is unsure about how these issues will play out, but she hopes that there will be a turn away from relentless superficiality. She is a capable guide to the current fraught landscape.
Hu’s study of Korea’s beauty cult is fascinating and disturbing, woven with threads of dark humor and personal experience.Pub Date: May 23, 2023
ISBN: 9780593184189
Page Count: 384
Publisher: Dutton
Review Posted Online: Feb. 1, 2023
Kirkus Reviews Issue: March 1, 2023
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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