by Elise Hurst ; illustrated by Elise Hurst ‧ RELEASE DATE: Oct. 11, 2016
Like a nice jaunt through the park—lovely and sometimes inspiring, if a bit unexciting at times.
Who could resist hanging out with gargoyles while sipping tea?
“Imagine a train to take you away,” instructs an unnamed yet kind-voiced narrator. That’s easy enough for a woman and her two children, who board a train all excited and wreathed in smiles. Soon, the dark-haired, pale-skinned trio disembark and enter a city full of towering buildings, bustling with both people and animals—some dressed in clothes, others not—who roam the streets. Hurst includes a few more peculiar figures in this establishing spread: a bear-shaped building, an ominous giraffe walking in the distance, whale-shaped silhouettes in the sky. Before long, the three adventurers are off into the city, riding both the wind and a large fish that serves as a bus service. Other excursions—like sun-bathing on lily pads—seem even more out of the ordinary with a pterodactyl nearby. It’s all in the details. Black-and-white ink drawings with an antique, Tenniel-esque feel give the city a muted energy, begging readers to use their colorful imaginations to fill in the rest. The sparse text evokes without overbearing, chugging along at a leisurely pace. Yet some sights stir curiosity better than others, and though the trio returns from the city content, some readers might wonder if that’s all there is.
Like a nice jaunt through the park—lovely and sometimes inspiring, if a bit unexciting at times. (Picture book. 3-7)Pub Date: Oct. 11, 2016
ISBN: 978-1-101-93457-9
Page Count: 32
Publisher: Doubleday
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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More by Kobi Yamada
BOOK REVIEW
by Kobi Yamada ; illustrated by Elise Hurst
BOOK REVIEW
by Elise Hurst ; illustrated by Elise Hurst
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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