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PENANCE

An ambitious sophomore attempt bites off more than it can chew.

Three girls in a failing seaside town brutally murder a classmate in this (fictional) true-crime exposé.

True crime has become such a ubiquitous genre over the last 10 years—through podcasts, television, and nonfiction books—that it’s now fodder for fiction. Clark, who was recently named to the Best of Young British Novelists by Granta, approaches the genre with both a critical eye and an instinct for the lurid. The novel is framed as a nonfiction account of the brutal murder of a teenage girl by three of her classmates, written by disgraced tabloid reporter Alec Z. Carelli, who has unethically tinkered with his material. Joan Wilson, the victim of the crime, was tortured, assumed dead, and then set on fire, although she survived long enough to seek out help. Carelli investigates Joan’s life as well as the lives and actions of each of the three perpetrators: posh, bratty Angelica Stirling-Stewart; Joan’s old friend Violet Hubbard; and disturbed Dolly Hart, who’s obsessed with a hunky school shooter. Interspersed with Carelli’s reporting are podcast transcripts, fan fiction and online forum excerpts, and historical background about the bleak northern English town where the murder took place. Clark isn’t afraid to write about gruesome violence or bullying, and she tries to critique our culture’s fixation on true crime. Unfortunately, the execution of this long, often tedious novel is not strong enough to support its ideas; instead, it reads like just another grisly story of a murdered girl. Great investigative nonfiction authors write novelistic prose, while Clark’s is clunky by comparison. The structure of her novel is similarly uninspiring, moving from one long interview to the next with little analysis. This book is not believable as a work of investigative nonfiction, which renders its conceit annoying rather than provocative.

An ambitious sophomore attempt bites off more than it can chew.

Pub Date: Sept. 26, 2023

ISBN: 9780063327856

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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