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THE BRAMBLES

A moving portrait of the ties that bind.

A family gathers around a dying patriarch who reveals a transforming secret.

In advance of their widowed father’s arrival from California, each of the three successful, adult Bramble children—Margaret, Edie and Max—experience private internal crises: Margaret, a take-charge wife and mother of three in suburban New Jersey, worries that she is not up to the task of caring for her father. At the same time, she tries to talk herself out of an irrational yearning to have a fourth child. Edie, the youngest of the three, on the surface seems to be thriving—she lives in Manhattan and works hard at a rewarding job in television. But her hidden, life-long battle with an eating disorder is finally taking its toll. And Max, a producer of infomercials and corporate videos who wonders where his artistic aspirations went, quits his job in a fit of pique, even though he is the sole breadwinner for his family. That was three weeks ago and he still hasn’t told his wife, who believes his changed behavior signals he is having an affair. Neither the ease with which their father settles in at Margaret’s, nor his articulate stoicism about his incurable illness, assuages his children’s panic. The family members most at ease with the situation are Margaret’s three young children, whose sweet frankness about death could teach all the adults a lesson, and Arthur himself, who, in deciding to reveal a lifelong secret he and his wife kept from their children, has made peace with himself and his imminent death. Minot (The Tiny One, 1999) moves nimbly from one character’s consciousness to the next, illustrating the power of family to hurt and to heal. She is especially adept at conveying the heckle-jeckle confusion that rules a household full of children and the clarion moments of truth that occasionally sound above the din.

A moving portrait of the ties that bind.

Pub Date: July 21, 2006

ISBN: 1-4000-4269-0

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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