A dynamic critique on the sprawling effects of racism and its effects on today’s youth.
An artful book-length essay on generational trauma in Black youth.
Weaving together prose, poetry, and artwork, prizewinning educator, poet, and cultural advocate Alexander, who recited a poem at Barack Obama’s first inauguration ceremony, depicts in sharp relief the realities of living as a Black youth in today’s America. In this short yet poignant book, the author notes the ways in which Black people have always been marginalized, but she looks specifically at the difficult experiences of those who have come of age in the past 25 years. Citing such problems as depression in youth, the effects of the Covid-19 pandemic, and how police brutality has become more apparent in the age of social media, Alexander paints a vivid portrait of a societal landscape that is fundamentally different depending on race, class, and other demographic markers. While recounting her personal story—including her 15 years as a professor at Yale, which, like many older colleges, has a problematic history with the slave trade—the author roots the text in history, looking at the legacies of enslavement and Confederacy movements and touching on key figures such as W.E.B. Du Bois, Martin Luther King Jr., and Zora Neale Hurston. The text is punctuated with gripping pieces of art that complement the text. Each piece is compelling in its own right as they entwine with the representation of human experience that Alexander demonstrates for readers. In one of the most significant sections, the author references a letter to Du Bois in which a scholar asked him “whether the negro sheds tears,” and “if so, under what general conditions—anger, fear, shame, pain, sorrow, etc.” At its core, this is a powerful treatise on the humanity of Black Americans and how it has been denied, how generations of people have persisted despite that fact, and how it continues to be one of the most pressing issues we face as a nation.
A dynamic critique on the sprawling effects of racism and its effects on today’s youth.Pub Date: April 5, 2022
ISBN: 978-1-5387-3789-7
Page Count: 160
Publisher: Grand Central Publishing
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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