A messy, but ultimately memorable, look at the moral gray areas that govern our choices.
Four women have their friendship tested by a series of traumatic revelations.
As first-year students at the prestigious Quincy-Hawthorn College, four suitemates are thrown together and enter into an intensely close friendship. Lainey, a mixed-race adoptee, devotes herself to political activism and short-lived romances. Alice comes from an upper-crust white family and is on track to be a star athlete and pre-med student. Ji Sun, from Korea, is cocooned by her extraordinary wealth, and Margaret, from a lower-middle-class white Missouri family, by her extraordinary beauty. Ames structures this, her debut novel, in four parts, each of which corresponds, like an ethics textbook, to a different moral quandary centered on one of the women. In the novel’s opening section, “The Accident,” Alice struggles to keep secret from her new roommates a childhood trauma that wracks her with guilt. Further into their time at Quincy-Hawthorn, in the second section, “The Accusation,” the women learn that Ji Sun plans to accuse her professor of sexual harassment. In the final two parts, “The Kiss” and “The Bite,” Margaret and then Lainey—now new wives and mothers—inflict trauma on children in very different ways. Written in a deft omniscient narration, the novel’s first half can sometimes blur the characters together within its slippery point of view, and the crushes and drunken exploits seem like overly familiar snapshots from collegiate life. But the novel sharpens when the women come into independent adulthood, and though the structure emphasizes the sameness of their transgressions—the way all of us will cross lines for morally complicated reasons—the characters finally bloom into vibrant individuality, and the book fulfills its promise to investigate the question Margaret asks herself near the book’s finale: “Did loving so much mean you knew more about hatred?”
A messy, but ultimately memorable, look at the moral gray areas that govern our choices.Pub Date: Aug. 27, 2019
ISBN: 978-1-9848-7849-6
Page Count: 352
Publisher: Viking
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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