Berg fails to play to her strengths here.
A motivational speaker struggles to follow her own advice after a close friend dies.
Cecilia, successful self-help author and woman of a certain age—which she declines, on principle, to disclose—travels the nation inspiring others to be their best selves. However, since her best friend Penny died after a short illness, Cecilia herself is now adrift. Penny, her next-door neighbor in Minneapolis, had tried to persuade Cecilia to take a vacation and go globe-trotting with her. But Cecilia procrastinated, and now it is too late. Consulting a variety of fortunetelling devices, she sells her home—she has never married—and moves in with three other women, who are also at loose ends. The witty repartee among the four and their interactions with their pet, an aging yellow lab named Riley, are the most enjoyable aspects of this otherwise predictable pastiche of time-worn truisms on loss and aging. The four (and Riley) soon leave domestic routine to traverse the heartland in search of lost opportunities. Cecilia intends to reconnect with globe-trotting heartthrob Dennis, with whom she lost touch after college. Her traveling companions, advice columnist Renie, family physician Lise and chef Joni, are seeking, respectively, a lost daughter, an ex-husband and culinary inspiration. (Riley is just hoping for lots of road-food leftovers.) The bromidic plot leaves no doubt as to the outcome for all four. Berg marshals sentimental subplots in support of her inspirational thesis: The wry voice of the departed Penny reminds Cecilia that time’s winged chariot is hovering just overhead, the fiancee of a dying man in a hospice where Cecilia volunteers (that was Penny’s deathbed wish) offers him a last hope, and Cecilia’s dotty mother, an assisted living resident, is bent on getting married. However, the characterization, particularly of Cecilia, is too sketchy: A deeper, more fully articulated back story might have lent needed depth to our understanding of how Cecilia arrived at this juncture in her life.
Berg fails to play to her strengths here.Pub Date: April 9, 2013
ISBN: 978-0-8129-9314-1
Page Count: 240
Publisher: Random House
Review Posted Online: Jan. 5, 2013
Kirkus Reviews Issue: Jan. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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