A less-well-developed plot than usual, but, as always, readable.
A seemingly perfect family deliberately hides unpalatable truths that come to light only decades later.
As usual in her characteristic fast-paced prose, Berg (Say When, 2003, etc.) explores a timely subject—here, an abusive mother whose actions went long-undetected—as she introduces 50-ish narrator and professional quilter Laura Bartone. Laura has two siblings, Steve and Caroline, and is planning, with husband Pete and their two children, to join them and their elderly parents for the annual family reunion. Just before the Bartones set off, Laura is phoned by Caroline, who asks that the three of them get together without their spouses to discuss issues that are bothering her. As a child, Laura was a bossy and sometimes cruel tease, often hurting Caroline, who was sensitive and subject to dark moods and fits of weeping. Caroline also, Laura recalls, was constantly trying to please their beautiful but emotionally cold mother. The siblings meet as planned, and Caroline announces that she’s depressed, is seeing a therapist, and is about to divorce husband Bill. She suspects the depression is caused by events in her childhood, and she asks Steve and Laura whether they can remember anything about their mother’s treatment of her as a child, particularly anything abusive. Laura and Steve are shocked, thinking that Caroline must be mistaken or overreacting. But then Laura and Steve begin remembering incidents from their own childhood, and Laura learns that Caroline was hospitalized one summer when she and Steve were away at camp, after her mother had attacked Caroline with a knife. Their mother was also abused by her mother and lost a much loved baby before Caroline was born. As the three siblings try to cope with these revelations, their father suddenly dies, but not before he alludes to secrets long kept hidden.
A less-well-developed plot than usual, but, as always, readable.Pub Date: April 13, 2004
ISBN: 1-4000-6159-8
Page Count: 240
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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