Traditional, inoffensive—probably a holiday hit.
Just in time for Christmas, Berg (We Are All Welcome Here, April 2006, etc.) delivers a story about the Christ child, highlighting the romance between his young parents.
What to do with an iconic story known throughout the world? Berg does very little, keeping it safe and simple and with few deviations from the commonly accepted narrative, guaranteed to neither insult nor inspire. Sixteen-year-old Joseph meets 13-year-old Mary at a wedding (they are hiding, still children really, under a banquet table) and fall in love. They are betrothed, but will remain in their respective parents’ homes for a year, until their marriage is finalized with a wedding, and a wedding night. Mary, stubborn and inquisitive, is beginning to question her engagement to Joseph, who, despite his youth, is stern and proper, eager for Mary to adopt her submissive, wifely role. All is turned upside-down, though, when an angel visits Mary to tell her she is with child. Mary is sent off to stay with her cousin Elizabeth, while her mother delivers the miraculous news to Joseph, at home in Nazareth. What man would accept the story of a virgin pregnancy from his wife? Not Joseph. But rather than focus on Joseph’s natural reaction, Berg shows his doubts dispatched by an angelic visit of his own, whereupon he agrees to the planned marriage. They settle into a happy union as Mary prepares to give birth, when they unexpectedly must journey to Bethlehem. The story of their plight—Mary’s anger at Joseph for making her travel so close to the birth; her fear of being without a midwife; his desperation in a strange city where no one will house them for the night—is nicely told, bringing humanity to a scene that is often reduced to greeting-card familiarity. After the birth of Jesus, the family lives happily in Nazareth until Joseph meets an early end, in love with his wife, but still skeptical of the virgin birth. Berg makes conventional, contemporary choices—Mary is spunky; Joseph conflicted—but shies away from any keener analysis of faith or marriage or miracles.
Traditional, inoffensive—probably a holiday hit.Pub Date: Nov. 14, 2006
ISBN: 1-4000-6538-0
Page Count: 160
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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