Next book

TRUE TO FORM

Insights that seem too easily won in a slick story that skims the surface.

Another installment in the life of preternaturally wise military brat Katie Nash (Joy School, 1997, etc.), who over a summer and fall learns about friendship and love: a story that’s more well-intentioned manual of life-lessons than engaging drama of adolescent turbulence.

Katie, now 13 and living in St. Louis, misses her former home, Fort Hood, in Killeen, Texas, where her mother died and her best friend Cherylanne lives. Dad, who had a rough childhood, is still playing the heavy, but stepmother Ginger, a model of tact and insight, seems to be softening him up. Katie’s only friend is Cynthia O’ Connell, a loser though she does share Katie’s liking for poetry—but also has a pathetic mother determined to start a Girl Scout troop (afraid of the outdoors, she plans overnight camping in her living room). As summer begins, Dad insists that Katie work two jobs: helping old Mr. Randolph, a retired teacher, with his bedridden wife; and babysitting the three Wexler boys. Not Katie’s ideal jobs, but she buckles under and finds them more rewarding than she expected. Mr. and Mrs. Randolph are still deeply in love, though they’ve been married for eons, and Katie learns that “In some couples, each puts the other first.” Not like the Wexlers, whose boys are fun to babysit once Katie figures out that they like playing games, but whose marriage nearly ends that summer. A trip back to see Cherylanne affords more life-lessons—that Cherylanne isn’t as smart as Cynthia, that she doesn’t appreciate poetry, and that friendships change. Cherylanne has troubles too—she’s pregnant and must get married. In the fall, Katie, now attending a snobby private school, is mean to Cynthia. But she really wants to be good, confesses her sins to a friendly priest, and, realizing how much she values Cynthia’s friendship, tries to win her back.

Insights that seem too easily won in a slick story that skims the surface.

Pub Date: June 11, 2002

ISBN: 0-7434-1134-X

Page Count: 224

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

NORMAL PEOPLE

Absolutely enthralling. Read it.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:
Next book

THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

Categories:
Close Quickview