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THE HOUSE IN THE ORCHARD

Readers will scramble to decide whom to trust, as misplaced faith leads to deadly outcomes.

A series of tragedies throw a young girl’s life into turmoil.

When Maude Gower dies in 1945, she leaves her estate, Orchard House, to her late nephew’s wife, Peggy, and their son, Laurie. Peggy should be delighted by this windfall, but her father-in-law Frank’s enigmatic misgivings about the dangers of the estate give her pause. Nevertheless, Peggy decides she will spend a night in Orchard House. There, she uncovers Maude’s childhood diaries—which turn out to make up the bulk of the book—and reads about the deaths of Maude’s parents and her subsequent move from London to Orchard House at age 13 in 1876. Maude has been put under the care of the mysterious Kitty Greenaway, or “The Feline,” as she's called by the girl's remaining relatives. As Maude adjusts to her new life in the countryside, she must decide if she’s going to put her faith in Kitty, whom she’s growing to love, or heed her brother’s urgent warnings: “Miss Greenaway is all charm and witchery, but whose judgement do you choose to trust, Maude? The brother whom you’ve known and loved all your life? Or a woman of dubious reputation, with whom you’ve been acquainted for less than a month?” Historically inclined readers will delight in Brooks’ attention to detail as Maude reaches for the cookbooks and thesaurus that would have been present in a Victorian household. But it is Brooks’ exceptional ability to create a wealth of characters who are at once innocent and manipulative, trustworthy and unwholesome, that is most notable.

Readers will scramble to decide whom to trust, as misplaced faith leads to deadly outcomes.

Pub Date: Sept. 27, 2022

ISBN: 978-1-953534-39-2

Page Count: 224

Publisher: Tin House

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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