A committed, stylish mystery better at composing its mood music than pulling all the notes together.
A remote house, a treacherous marsh, and an orphan child are the ingredients in this atmospheric gothic tale from a new British writer.
Virginia Wrathmell is 86 and frail when readers first meet her in Brooks’ evocative debut, reminiscent of Daphne du Maurier’s haunted dramas set in wild places. It’s December 2015, Virginia lives alone in spooky, decaying Salt Winds, on the edge of Tollbury Marsh, and on the last day of the year she plans to walk out to the marsh and allow it to swallow her. But in another timeline, dated December 1939, orphaned Virginia, age 10, is being introduced to Salt Winds by her kindly new adoptive father, Clem. Brooks’ tale shuttles between these two eras, revealing how sensitive Virginia’s childhood was swallowed up by events inside the house and on the marsh beyond. Clem’s wife, Lorna, not only expresses little of her husband’s welcoming excitement toward Virginia, but also seems unable to shake off the attentions of creepy local widower Max Deering, to whom Lorna was once engaged. Deering, who takes a lingering interest in Virginia, too, is forever underfoot, never more so than when Clem disappears on the marsh, searching for a German airman whose plane has crashed there. With Clem absent, a mysterious man in the attic, and villainous, mustachioed Max turning up at all hours, the atmosphere at Salt Winds becomes both secretive and feverish. And in the 2015 storyline, the house is visited by an impulsive young woman whose ties to the past compel Virginia to change—and darken—her plans for this, her last day. Ambiguous and infused with both fairy tale and matters more threatening, Brooks’ novel is persuasively descriptive—“where sky, sand, and water dissolved into nothing and nowhere”—but doesn’t quite knit together. Deering’s semifarcical lechery, Lorna’s perplexing psychology, and the ends left dangling rob the story of conviction.
A committed, stylish mystery better at composing its mood music than pulling all the notes together.Pub Date: Jan. 15, 2019
ISBN: 978-1-947793-22-4
Page Count: 300
Publisher: Tin House
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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